The painting hangs away from the wall on a bracket, looking down on the viewer as a security camera or a security screen does.
Colours were spread as a background in the style of Gerhardt Richter, thinking that I would scrape back the black to reveal the glitches. However in the end this was covered with black paint and the glitches were painted with thick oil paint.
I considered adding a hand-made sculpture of a surveillance camera above, making obvious the context of the image; people as they are seen watched by a surveillance camera above. I rejected this idea as too prescriptive.